Today's film critics (whether online or professionally) tend to watch and critique movies mainly through an Interpretation lens. They look at the movie as a puzzle to be decrypted, with the goal to find the "true" meaning of the movie. However, there are two issues with this specific way of viewing movies; . . .
- They risk approaching the common flawed critique of "I Felt Nothing", due to the movie being "shallow" according to them. They can't enjoy something because they venture too much into symbolism, metaphors, etc. Basically, these critics can't open themselves up to the experience.
- The actual artistic aspects of the movie (what actually matters) like the screenplay, editing, production design, cinematography, etc. either goes unnoticed, or does get noticed but ultimately doesn't matter to such critics.
When evaluating a movie, modern-day critics don't ask questions like . . .
- How profound is the plot progression?
- How sharp is the dialogue?
- How precise are the compositions?
- How creative is the blocking?
- How fluid is the editing?
- How does lighting, color, shadows, etc. enhance the picture?
- How does the screenplay and direction complement each other?
. . . they rather ask questions like "what does this lamp on the left side of the set represent to the protagonist? What does it symbolize?" And if you try to explain that "actually, this lamp here is to balance out the image composition, to make the set more pretty, or to add a sense of depth," they'll say that your explanation is too shallow and insists that the lamp is a deep symbol. This is basically the whole "curtains are blue" situation in a nutshell.
There are of course more forms of criticism that also have flaws; like moralism, intentions, auteur theory, etc., but Interpretation seems to be the biggest form of criticism that many would cling on.
in 2014, Matt Zoller Seitz wrote an article begging critics to write and critique the filmmaking, and now that we're in the big '26, nothing has changed. Case-in-point, look at the many video reviews and articles discussing the "true meaning" behind the movie "Backrooms."
A good allegory I have to explain this dilemma is this . . .
Two critics -one is a formalist, and one is an interpreter- are tasked to critique a volcano.
The formalist critic looks at the volcano and closely studies its temperature, pressure, PH Value, chemical composition, geological history, magma supply, gas emissions and all others matters that explains what a Volcano is and when it will erupt.
The interpreter Critic simply calls the volcano a god, and calls the formalist critic a fool for missing the Volcano's theological underpinnings and for their shallow critique.
Basically, the best way to fully understand the value or lack thereof in a movie is through formalist analysis.