The idea is simple: each uploaded photo becomes its own standalone poster.
The top half keeps the original photo with minimal grading, while the bottom half reinterprets the most recognizable subject as a traditional Chinese shadow puppet performing behind a warmly lit rice-paper screen.
What I wanted was something that feels less like a generic “AI effect” and more like a mix of editorial poster design, folk craft, and stage storytelling.
made with nanobanana2.1
Full prompt below 👇
Please turn each uploaded photo into its own independent high-end design poster. Do not make multi-image collages. Output each photo separately as a single standalone poster.
Use a vertical 3:4 composition. Divide the image into two sections with a strict 1:1 height ratio, each taking exactly 50% of the total height.
In the upper half, preserve the original photo. Keep the subject’s identity, structure, pose, real texture, natural lighting, and original color atmosphere. Only apply subtle premium color grading so it feels like artistic photography or an image from an Eastern-style exhibition. To fit the composition, the surrounding environment may be naturally extended, but do not stretch, distort, or alter the subject.
In the lower half, extract the most recognizable subject, silhouette, pose, and narrative relationship from the photo, and reconstruct it as a traditional Chinese shadow puppet figure performing on a translucent rice-paper screen illuminated by warm light. Whether the original image contains a person, animal, building, plant, object, or landscape, interpret it as a “performable character.” Break the subject into a small number of articulated jointed parts connected by rivets. Use the most expressive moment from the original image as the puppet’s pose, and include one or two thin bamboo control rods entering from the bottom of the frame.
Do not depict it realistically, and do not make it cartoonish. Instead, reinterpret it through the design language of traditional shadow puppetry: side-facing, flattened, ornamental hollow cutouts, cloud motifs, geometric carved patterns, and selective translucent color staining. Preserve the most recognizable features of the original subject so it is instantly identifiable, while also feeling as if it has been reimagined and hand-carved by a master artisan.
Light and shadow are the soul of the piece. Place a warm backlight behind the screen so the hollow carved areas glow with warm points of light. The stained translucent colors should include warm vermilion red, indigo blue, olive green, and amber yellow. The puppet edges should carry soft shadow blur and a slight halo, as if the figure is moving slowly during a performance. A very subtle double shadow or motion ghosting may appear to suggest a single moment of live performance.
The composition should focus on a single scene with a single puppet and a large amount of negative space. The screen should appear as a warm beige or light amber field of light, naturally darkening toward the edges. The subject should occupy only about 25%–35% of the whole frame, possibly off-center or positioned near a golden-ratio point. The remaining space should stay calm and quiet, like the pause before a shadow play begins. Do not include an audience, a full theater stage, or complex props.
Extract 2–3 of the most emotionally significant colors from the upper photo and translate them into the translucent dyed colors of the shadow puppet, keeping them harmonized with the warm illuminated screen. Use deep brown and warm ink tones for the shadows instead of cold black.
Allow a small amount of text to appear, such as a vertical title or one short phrase, placed quietly in a corner of the screen like a handwritten program note from a traditional theater troupe. The language is not restricted.
The overall image should be defined by shadow-puppet carving, translucent dyed color, warm backlit rice-paper, soft projection, and Eastern negative space. The core principle is: invite the protagonist of the photo onto the screen, and let it perform an entire play with a single pose. Avoid full realism, crowded staging, cheap trendy “guochao” styling, plastic texture, 3D-rendered aesthetics, cartoonish looks, and template-like poster design.
If anyone wants, I can also share examples or the workflow I used to get more consistent results.