Ignore Princess Carolyn …. Didn’t know how to sculpt when I made her!

I am doing a rewatch, and I never caught this gag where an iguana and chameleon see each other on the street and immediately start a push up contest, I feel like I'm missing the gag here. Anyone who's knowledgeable about lizards know what's up?

Edit: thanks y'all, my day is much better for having learned about lizard push-ups!

S1-E12

S2-E02

I recently found out Procreate automatically records all of your progress on a file, so I went back to this piece to practice a little video editing c:

I originally sketched Bojack on scrap paper, took a picture with my tablet and went from there. I didn't have any particular plan on where I wanted this piece to go, which is why we have middle-aged Bojack instead of grey-haired Bojack, which would've overall fit better in hindsight, but I still love how this came out.

Song: K. Flay - Blood in the Cut

Why not combine 2 (technically 3) things I love into one?

Flip McVicker’s show, Philbert, was edgy, convoluted dogshit, whose one redeeming quality was Gina Cazador’s performance, even when given such awful material to work with. But I think I know how to make it original, interesting and have twists with an actual purpose for the story.

First is the names. Naming a character matters, as it can reflect who they are. John Philbert’s name is now Henry “Hank” Philbert and Fritz’s new name is Edward Fitzpatrick. Sassy’s Malone new name is Katherine "Kate" Mercer, which I feel is more elegant and sharp.

In the rewrite, Kate's story could partially explore treatment of females on the Police Force. How in the past and to this day, they can be treated unfairly. She gets interrupted in briefings, excluded from informal networks, or assigned less prestigious work. The important thing is that these obstacles shouldn't merely be generic sexism. They should have practical consequences for her career and the cases she investigates.

However, it should also be about how women can also be given preferential treatment as a form of recompense. The opposite extreme. Suppose a female officer receives a desirable assignment partly because management wants to improve its diversity statistics. She may be perfectly qualified for the job, but the way she gets it creates resentment among colleagues.

Then comes in Philbert. I want Philbert to come into her life, looking like a breath of fresh air. Maybe he validates her grievances, encourages her to accept preferential treatment and exploit the cracks in the system, congratulate her on a promotion others resent her for.

However, his influence gradually changes how Kate approaches her work. She starts out wanting to overcome an unfair system, but increasingly becomes willing to exploit that system when it benefits her. Her grievances are real, but she begins using them to justify behaviour she would previously have criticised.

I don't want her to suddenly become incompetent or evil. The point would be that someone can be good at their job and have legitimate complaints about their workplace while still making increasingly questionable decisions.

I've also been working on the mystery surrounding Hank and his wife. Hank has an affair and kills a girl to cover it up. Edward Fitzpatrick, a real person who knows about the murder, discovers what Hank has done. Hank kills Edward to prevent him from revealing the truth. Hank's wife subsequently discovers what happened, so Hank kills her too.

He then lies to everyone and makes Edward the villain who murdered his wife and affair partner. I'm still working out the precise mechanics of how Hank makes this deception believable, but I like the idea that the person he turns into a fictional criminal was actually someone he murdered.

Regarding the name changes, it's a reference to Strange Case of Dr Jekyll and Mr Hyde. I recently learned that in the book Hyde isn't a split personality, he's just the name Jekyll gave his altered appearance to separate his two lives.

This also connects to Kate's character arc. Hank separates himself from his actions by inventing another person to blame, while Kate increasingly separates herself from her own questionable decisions by convincing herself that the system has left her with no other choice.

Obviously, the two aren't morally equivalent: Hank is a murderer, whereas Kate's compromises are much smaller. But both characters would be developing ways to rationalise their behaviour instead of confronting it.

I'm still figuring some stuff out;

• Hank's motivation: Why did he kill the girl in the first place? Was he already a manipulative person who resorted to murder to protect his reputation, or did the first killing set off a chain of increasingly desperate decisions?
• Edward's identity: How exactly could Hank use the identity of a real person he murdered to construct a convincing false story about the crimes?
• Kate's development: How can Hank influence Kate without making her seem gullible? I'd like her to remain intelligent and capable, with her downfall coming from the choices she makes and the justifications she accepts.

I think the strongest version of this storyline would be one where the mystery surrounding Hank and the character arc of Kate reinforce each other. What do you think? Does the Edward Fitzpatrick idea work, and what would make Hank's cover-up believable without making the plot unnecessarily convoluted?

I was planning on making Rutabaga and Ralph, but I got lazy sorry

other than the obvious (stupid piece of shit)

He’s kinda blown out but I was 19 and drunk every day before and after I got him.. aftercare wasn’t a concern for me :p

This stupid show makes me sad asf, i wanna quit watching it but it's fking addicting and every character feel dumb but the more you know them, the more you become them. Fk man jus wanna finish this show as fast as possible!!

I could only think of one thing. I had to do it! Hope y'all appreciate it :)

I usually draw Total Drama so this year for Inktober I'm TD characters in other cartoon styles (More on my Instagram, which is also Pamehameha) and for today I drew Todd with Geoff. Honestly I never watched Bojack but I found out that Hooray is Todd's catch phrase and ended up watching some reviews and scenes from the show. Hope y'all like it :)

We don't get much background in Honey's life but I head-cannon that she met Joseph as a singer/performer, probably in 1926 or earlier (if Crackerjack is 18 in 1944).

I’m not talking times where he consciously made the right decision or tried to be a good person intentionally. But times where he straight up tried to do something bad or stupid and achieved the opposite. Or just unintentionally did something nice or good!

it took me about 11-13 hours (estimated bc i did it a few days ago and idk if i should count the time i spent attempting to give him hair, which was a major fail on my part lol) anyway, i only looked at front and side profile photos of bojack from the show as reference. i did attempt to use other bojack 3d models as reference, but their styles were not what i was intending for my style. (however, the 3d models i saw were phenomenal and that was not a jab at their artistic design in the slightest.)

i will say, i have made probably 50 bojack edits and have stared at bojacks face frame by frame for the last 1.5yrs + the ~4 years that i watched him on the show ofc ofc! so, his face pretty much engraved in my mind lol, which is how i guess i was able to do pretty much 90% of this based on my memory and assumptions about potential correct anatomy 😭😭 (ive never studied anatomy, especially not horse anatomy, so dont come for me pslpls) however i did think this was super awesome! i cant even draw a horse..

this is my first project ever on blender, and so far i’m really proud of myself. i’ve had a video idea for the last year that is TOP SECRET!! but i HAD to learn how to animate in order to make it. so this was my attempt at the beginning of my animating journey!! i am attempt to crewte the rest of his body very soon, ive just been very distracted!

also his paint is only temporary! i only painted his fur and coat design so i could use it as reference! i will retexture and repaint him once i finish the body! (once i learn how) then im gonna have to learn how to rig……😵

EDIT TO ADD: im sorry if i dont reply to comments super fast! im trying to. so please dont feel like im ignoring you! i’m a SAHM to my 7mo and im extremely distracted as is! so pleaseeee understand i will get back to ur comment when i can! i’m trying to reply to as many as i can but my kid is screaming at me lol

So I was rewatching the show for the millionth time and someone walked in and started watching. She now describes it as the pedo horse show and found the jokes too much. I love the show but I am struggling to disagree. She only saw a few episodes in the first series but she found Bojack sleeping with Sarah Lynn as far too creepy and him making casual jokes about 911 and the holocaust as awful. She says it normalises it when it's played up for a laugh which felt like the way Dianne describes Philbert later on, except not the for a laugh thing.

I probably won't be able to change her mind but I wondered if anyone has been able to get someone else into the show and if they managed to change their opinion if they was really negative of it at the start.

I finished this show last week and I knew it'd be in my top 3 shows before I even finished it, now I'm right back to rewatching it and I think it'll be my comfort show for a while. This art turned out way better than I expected!