just saw a post on here about the name change of rushes to —> Higgs. And obviously it’s an intentional change, but in the scheme of things is kinda random. But more or less the “Higgs field” is a physics concept(?) within which, elementary particles like electrons and quarks interact with and resultantly gain mass. Every object with mass exerts a gravitational pull towards itself depending on how much mass the object has. TLDR: the Higgs field quite literally causes things to ‘rush to’ other things.

Hello I was wondering if anyone had the file to the Wim Hof X Come On World, You Can’t Go! mix that was previously on YouTube. I think It was somewhere around 20 minutes & it started with the interview & ended with the song. The mix seems to keep being deleted online across a multitude of platforms. I would appreciate a downloadable file so I can enjoy the piece of art perpetually. & when I do get it I can also share to others who may be looking for the same thing.

I started listening to his music again, and I decided to give Endless a listen.

Question, why is like NOBODY online talking about Rushes To? Not the “First I was rushing for a wait” song, but the “What you give, my words can’t hold” one?

This has to be one of the most heavenly songs that ever traveled through my eardrums, and when I try to find any kind of discussion on it, people want to act like the first Rushes is the only one that exists 😭💔

Where are all my Rushes to fans? This post is for yall 😂 I SEE YOU

EDIT: I’m sorry yall, I was looking at the wrong timestamps, the song I was talking about was “Higgs” 😭 I sound slow.

Nikes, Hublots, Raf, Chanel, Versace(unreleased), CDG etc. etc.

Do you guys thinks hes paying homage or perhaps just getting payed for basically advertising them? Are they just things that inspire his songwriting?

Or is there a deeper artistic meaning to them?

I personally think its about money, because we all know Frank likes money with the def jam situation, ai weiwei bowl, merch controversies etc. This question has been in the back of my mind for a while now, but I havent really found any real connections, so curious about your guys' thoughts!!

Buddy Ross added some insight to some of Frank’s tracks he produced

Love this photo from Boys Dont Cry Magazine shoot posted on Wendi Morris IG wendi.view She is the one writing the memoir. That is Frank up high taking photos.

In Here Somewhere is a song where you can’t even hear all the lyrics, that might be the point. In the film frank ocean is building a staircase in a warehouse but it goes only to the roof with no exit in sight. In Here Somewhere is literally a song about being trapped, with claustrophobic feelings, and no one being able to understand or hear them, that might be why voices are muffled so badly to the point no one can hear them.

Hublot’s Outro(by jasmine) speaks differently tho so what’s ur opinion

I feel like other than the angelic voices of Florida it resembles the sound of Hurricane Katrina.

If you listen to a strong wind you might hear the sound of the wind, and we all know Hurricane Katrina affected Florida, so maybe he’s trying to resemble Hurricane Katrina?

I’m not sure why but a lot of people on here seem to love Seigfried. While I love Blond… Seigfried is an instant skip. It’s boring as hell and I don’t know why people like it. What about it is so special???

But of a conspiracy here but it seems like a lot of frank oceans unreleased work is more frequently taken down on all platforms than other artists. And it’s not all released work, more so just songs that have leaked recently (past 10 years) like spaceman, little demon, come on world you can go! Etc.

It leads me to believe that Frank is still alive, and very much caring about the protection of these songs, which leaves me to believe these songs might be apart of a new NEW project.

I am not upset at all that Frank or his team is taking down these beautiful songs. They have every right to take down whatever they do not want to put out.

Anyone have any thoughts? What is your favorite unreleased track?

I can't find any other information, someone mentioned it was a vocoder... but damn if it doesn't sound like slide guitar? I swear I hear raking of strings happening there and some wah-wah?

EDIT: The part I'm talking about is from 2:30 to 2:55 on Spotify, and the lyrics section on Spotify only have two music symbols for that duration.

EDIT 2: Here's a video of a slide player getting a similar dynamic. This example doesn't even have wah wah pedal and still you can hear the clear similarities. https://www.youtube.com/watch?v=DWmGH6eXZN8

I just received Yousef Srour’s new Bloomsbury book about Blonde. A great addition to the collection- I’m looking forward to checking it out.

These 3 are mine

1. Provider

2. Chanel

3. Nikes

One guy cuts another guy off.

"Yeah I don't got bitches no more-"

"But now I don't care about bitches like that my n word Jasmine fucking wrecked my heart ..."

Always annoys me let the guy speak.

I was going through Taylor Russell's IMDb, and one of her her upcoming projects is Untitled Frank Ocean Project. Has this always been there? I knew Frank was possibly working on a film but had no idea it was this serious for it to make it to IMDb. And apparently it was filmed in Mexico.

i am not sure if this is within the rules but i made this cacophony of unpleasant and grating noise and i shall put it here even if it is far from the style tyler/frank create in (to my knowledge) beyond a heavily restrained nod from the style of a track off don't tap the glass.

addendum:
if anyone dissents to my apparent romancing of a stalker caricature such as this, i plead innocent by means of insanity. evidently, i have issues.
(bandcamp link)
https://queasyabies.bandcamp.com/track/she-breakcore-adjacent-remix

Does anyone have links to the Cayendo Sango Remix & Dear April Justice Remix ? They have been wiped off YouTube and SoundCloud need help thanks !

i honestly think pink+white is frank's most jazzable song of all time.